Concert Review: Bruce Springsteen & the E Street Band- Giants Stadium 10/8/2009

If you can't imagine how one guy with a powerful band behind him, is able to bring a full house at Giants Stadium to it's feet from the front row to the last row, you have never been to a Bruce Springsteen concert. Last night, Bruce rocked the house under the stars, for the next to last concert ever at Giants Stadium.

The weather was perfect for October. I was in short sleeves all night, wishing I had opted for the shorts. Bruce came on later than scheduled, by a good 1/2 hour (approx. 8:20) the show clocked in at a bit over 3 hours. Worth every dollar of the price of admission, as Bruce always gives you your moneys worth. I didn't have good seats for this one, top deck straight ahead of the stage but in the first row, on the edge. I felt there was a little too much chatter in the crowd behind me, throughout various points of the concert. This is a truce artist at work on stage, any slower songs or quieter moments in music is not meant for talking.


Tonight's concert would be the last show I would ever see at Giants Stadium. After all the years of greats like Paul McCartney, the Who, the Stones, and of course Bruce. It would be the next to last show overall as the new Giants Stadium opens up next year. For these special shows, Bruce wrote a new song WRECKING BALL in honor of the stadium. Also as a tribute the band has been playing a different album in it's entirety each night. We were honored to get BORN TO RUN last night. Bruce walked out with the band, and his wife, Patti who had just returned after a long absence. He kissed her then walked back over and re-entered with the "Big Man" Clarence. The crowd roared as the two also exchanged a show of emotion. Bruce said good evening Jersey, you hear to help us tear this old girl down?

The house lights stayed on for the opener WRECKING BALL,and then dropped out as the song ended. I think we got an incredible set list, 29 songs covering all of Springsteen's career. Second was the great crowd rocker OUT IN THE STREETS which got everyone going. Two songs later was the classic HUNGRY HEAR, which the crowd sang the first few verses on their own. Bruce went into the audience and boldly did some crowd surfing, safely landing back on stage. Quite a site.

After 5 songs, Bruce led into the BORN TO RUN segment: "This is the one that really kind of brought us here tonight. I remember when I wrote it, I was trying to create this picture of one long summer day and night."
To me Springsteen playing THUNDER ROAD in concert is about as good entertainment as it gets. When it leads into TENTH AVENUE FREEZEOUT it's gets even better. FREEZEOUT was equipped with a full horn section to accompany it. Another of my favorites is BACKSTREETS and it was fantastic under the Jersey sky. The lights came up again for BORN TO RUN as the crowd went nuts, by this point everyone was on their feet from the lower level to the last rows of the upper deck, and no one sat down again.

After a great performance of JUNGLE LAND, another good audience participation song WAITING ON A SUNNY DAY was done. Bruce gave the mic to a young boy in the crowd and he led us through a chorus. Then it was back to the very 1st album with IT'S SO HARD TO BE A SAINT IN THE CITY.

Some surprises for me, just after I said in the car we wont be hearing anything from the TRACKS collection- boom, MY LOVE WILL NOT LET YOU DONE, a great song that opened many of the 2001 shows. I got another of my favorite all time songs, a song Bruce penned but Patti Smith made famous- BECAUSE THE NIGHT. I think this was the first time I saw this one live.

Patti Scalfia got some spotlight during a solo Bruce tune- HUMAN TOUCH. Not one of my favs but a good choice and it was nice to see the E-Street bands work backing him up. Then came two great ones from the RISING, the Title track which I think has become a classic and LONESOME DAY. Then the great BADLANDS, with the crowd singing along and the band right on top of their game. Remember these guys don't take a break, Bruce just counts in 1-2-3-4 to the next song.

There were six encores, and they opened up with Bruce dedicating the first one to Danny Federici, original E Street band keyboard/piano/ accordion player who passed away last year. A special treat to get 4TH OF JULY (SANDY). This one sums up the Jersey Shore and hanging out on the board walk so perfectly. What a great song. Then some BORN IN THE USA classics- BOBBY JEAN & DANCIN IN THE DARK. 1-2-3-4 Giants Stadium didn't need a wrecking ball as Bruce blew the house down with the one & only ROSALITA! "Some day we'll look back on this & it will all seem funny". Oh yea, close it out with TWIST & SHOUT and what a night it was.


(Next to last show at Giants Stadium) BRUCE 10/9 SET LIST:
Wrecking Ball
Out in the Street
Outlaw Pete
Hungry Heart
Working on a Dream


(BORN TO RUN album):
Thunder Road
Tenth Avenue Freeze-out
Night
Backstreets
Born to Run
She's the One
Meeting Across the River
Jungleland


Waitin' on a Sunny Day
Raise Your Hand
It's Hard to Be a Saint in the City
My Love Will Not Let You Down
Because the Night
Human Touch
Lonesome Day
The Rising
Badlands
No Surrender

ENCORES:
4th of July, Asbury Park (Sandy)
Bobby Jean
American Land (with Curt Ramm)
Dancing in the Dark
Rosalita
Twist and Shout

Comments

Anonymous said…
The Light in Darkness

Bruce Springsteen's Darkness on the Edge of Town broke new ground for The Boss in 1978. A counterpoint to the operatic elegance of Born to Run, the album was an angry, raw record that burst forth after a three-year hiatus.

Because of its darker tones, some might call Darkness a difficult album, but despite this, it's a cherished gem for many.

Collecting stories and photos from hundreds of fans, The Light in Darkness celebrates this classic record, allowing readers to revisit the excitement of that moment when the needle found the grooves in that first cut and the thundering power of "Badlands" shook across the hi-fi for the very first time. Or the uninitiated, but soon-to-be-converted teenager, brought along by friends and finding salvation at one of the legendary three-plus hour concerts - shows that embodied all the manic fury of a revival meeting.

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